![]() Less so are Fowles' buttings-in in modern language, during which he comments from the vantage point of a later age on Rebecca's salvationism, its mixtures of pure feminism and communism and fervor. Conducted wholly in period English, these depositions have an eloquence and pith that are impressive. The lord's father hires a lawyer-and most of the book is composed of this lawyer's interrogatories with the surviving participants, namely the ex-whore, now named Rebecca and become a mystic (and the mother-to-be of Anne Lee, the founder of Shakerism). The fictional kernel is small: the strange journey of an English lord, his deaf/dumb valet, and ex-whore maid and two other ancillaries that results in a scene of revelation enacted in a cave then death, disappearance, and legal reconstruction of the happening. ![]() In length and relative linearity, the book is just that. ![]() Fowles calls his new novel, which basically is homage to the philosophical underpinnings of Shakerism and to the moral narratives of Defoe, "a maggot": a 17th-century-style working-out of an obsessive theme. ![]()
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